BASIC
INSTINCT

Art experiences designed to tune the human body

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We have optimized ourselves into disconnection.

BASIC INSTINCT creates art that brings you back to your senses.

Immersive worlds of sound, light and touch.
Informed by nature, neuroscience and somatics.

Less overwhelm,
More room to feel.

Why now

322M
People live with depression2023 estimate / WHO fact sheet, September 2026
470M
People live with anxiety disorders2023 estimate / WHO fact sheet, September 2026
1 in 6
People experience lonelinessWHO 2025 report / data from 2014–2023
US$1T
In productivity lost each year to depression + anxietyAn estimated 12B working days lost each year / WHO

We need more places to feel present, alive and connected

A figure standing before a wall of static light

The first work

INSTINCT/SOUND

An enveloping sound-and-light experience that moves with circadian effect across time.

  1. 01 · Dusk

    You enter an intimate, womb-like chamber. Natural field recordings unfold around and above you.

  2. 02 · Night

    As the light softens, the soundscape settles into night. Small details come forward. Moments of mist, rain, moving air and warmth. You can settle into one place or explore.

  3. 03 · Dawn

    Then light begins to return. A dawn chorus gathers, opening the experience back onto the world.

The aim: to leave feeling more present in your body and more awake to the world around you.

Proposed format: one shared room. The prototype will establish duration, capacity and the final sensory elements.

Sensory references

Art that changes how we encounter space

Fog filling a domed hall
Nakaya / Fog
A skyspace with a circular aperture in a pink room
Turrell / Perspective
A figure reaching toward cones of blue light
Turczan / Light
A silhouette standing in a curtain of falling light
Random Intl / Rain

Why art

Wonder is the way in

A field of light.
Sound with depth and distance.
Air made tangible.

Art gives us a reason to enter, stay and explore. It can make an ordinary sensation unfamiliar enough to notice again. BASIC INSTINCT works through that curiosity, composing an experience people can discover for themselves.

The intention is in the design
The freedom is in how you experience it

A dark organic form between two overlapping translucent circles

Why nature

Nature gives us patterns to compose with

Depth and distance. Rhythm without exact repetition. The changing light between dusk + dawn.

  • Sound

    A laboratory study found faster recovery on a physiological stress measure with natural sound than with loud environmental noise. Alvarsson, 2010

  • Brain

    Nature exposure is linked to changes in brain activity related to stress, attention, and restoration. Baquedano et al., 2026

  • Space

    In a virtual-office experiment, participants recovered better from induced stress in environments with biophilic features. Yin et al., 2020

Research into natural sound, nature exposure and biophilic space informs how we approach the work. See the research ↓

Our approach

We compose for the body.

Architecture shapes how we move and where we settle. Research into perception informs the sound and light. Somatic practice keeps us attentive to how the experience is felt in the body. Together, they create a narrative arc that carries the visitor through one cohesive journey.

Sequencing
Gradual, rhythmic movement across time and space designed for coherence.
Composition
Sound, light and material developed together, every element intentionally chosen.
Freedom
Enough guidance to feel at ease with space to find your own way.

Deep intention shapes every detail, so the experience feels effortless and personal.

No technique to master. No right way to feel. Less work, more play.

The first prototype

Master the sound. Build the space around it.

We begin with mastering sound; space and visual field develop around it. The prototype gives us a room to compose, test and refine the experience.

  1. 01 / Define

    Agree on the creative brief, recording rights, test space, technical options and responsibilities. Establish an itemized budget.

  2. 02 / Compose + test

    Build a complete dusk–night–dawn sound sequence. Compare versions with and without an urban opening. Explore listening positions, enclosure and occupancy. Establish the footprint and capacity that preserve efficacy and intimacy.

  3. 03 / Integrate

    Introduce a working light treatment and selected tactile materials. Refine the experience through ~2 rounds of invited sessions.

  4. 04 / Prepare

    Document the findings and recommend a public version, with a budget, schedule, host requirements and an assessment of what can travel.

The result: a working prototype and a costed plan for its first public presentation.

What we need to learn

Visitor experience will shape the work.

Felt experience
How do people feel before and after? Gather brief responses and reflections.
Artistic experience
Which moments hold attention, invite exploration or interrupt the journey? Refine the composition accordingly.
Delivery
Which room size, audience capacity and equipment configuration preserve the experience at a workable cost?
Interest
Would visitors return or recommend it? Explore host interest.

Proposed first audience: small groups of LA/NY adults interested in art and sensory experience, recruited beyond the immediate team’s network and with varied sensory preferences.

Each round helps us shape the experience and the plan for presenting it publicly.

The team

Players + Advisors

Jenya James Hamidi

Award-winning producer and executive producer with nearly 20 years across commercial, documentary and live work. Previously ran an integrative healing collective, bringing experience in both creative production and convening practitioners around human well-being.

Tracey Arcabasso Smith

US Head of Design and Creative Fellow at Deloitte Digital. A filmmaker and brand builder whose practice spans global campaigns, immersive experiences and independent film.

Oskar Bocquillon

Head of Creative Spatial Experiences at WHY Architecture, with experience translating cultural narratives into exhibitions and immersive environments.

Garth Paine, PhD

ASU professor, composer and acoustic ecologist whose work connects environmental listening with immersive sound. Artist and researcher residencies at IRCAM and ZKM.

David Rabin, MD, PhD

Psychiatrist, neuroscientist and Apollo Neuroscience co-founder. Author of A Simple Guide to Being Alive, bringing clinical experience and two decades of research into chronic stress.

Gordon Hempton

Emmy Award-winning acoustic ecologist with more than 40 years recording the natural world. His work brings exceptional depth in field recording and the preservation of natural quiet.

Jennifer Walsh

Advisor for Biophilic Projects at Penn’s Center for Neuroaesthetics. Entrepreneur and Beauty Bar founder, connecting nature, the built environment and everyday experience.

Astral Spatial

Spatial audio studio working at the intersection of sound, technology, and immersive experience; designing and building multichannel sound environments, combining spatial composition, engineering, systems architecture, room tuning, interactive programming, and production.

The research

What the evidence shows, and where it stops.

Natural sound
Alvarsson et al. studied 40 participants after a stress task. Results supported recovery on skin conductance; the heart-rate-variability measure showed no effect. Study, 2010
Biophilic space
Yin et al. studied 100 participants in virtual offices. Biophilic conditions supported short-term recovery after induced stress. The study did not test a physical installation like INSTINCT/SOUND. Study, 2020
Nature and the brain
Baquedano et al. reviewed neuroscience research on nature exposure. The varied stimuli, settings and measures make careful translation into design essential. Review, 2026
Shared experience
Cheong et al. found that synchronized responses during shared television viewing predicted reported social connection. Whether similar relationships emerge here remains a question. Study, 2023
Two figures reflected and refracted inside a glass cube, with bands of rainbow light

Get involved

Bring the first work into being

We’re inviting founding supporters and collaborators to help shape INSTINCT/SOUND

The next step is a working prototype. We are seeking:

  • Development funding
  • Access to a spatial-audio test space
  • Production partners

to help bring it into physical form. Founding supporters will experience the work as it develops and see how their contribution shapes its first public presentation.

Help create a place to feel present, alive and connected

Get in touch